TAG: Strut

Mar27

Various Artists – Afro Rock Vol. 1 (Review)

Afro Rock Vol. 1

Afro Rock Vol. 1

Released by Strut


Afro Rock Vol. 1 is one of the most important compilations of heavy original ‘70s Afro-funk and soul to be released in recent years. Originally released on record-collecting obsessive Duncan Brooker’s Kona label in 2001, the album was among the first to kick-start the thirst among jazz, funk, soul fans and "diggers" to rediscover lost music from Africa made during the ‘60s and ‘70s during a time when many countries were gaining independence and celebrating a Pan-African identity within their music. The album was one of the first to reach a far different audience to the traditional world music market and spawned many further projects and labels in its wake. Out of print since 2002, the album is being reissued on Strut in its original form with a bonus track: an unreleased psychedelic cut by Kenya’s Ishmael Jingo. It’s in poor quality though, and not necessarily a “bonus.” The album has remained influential since its release with tracks appearing on other Afro compilations and on TV and film.

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Mar04

Next Stop… Soweto – Township Sounds From The Golden Age Of Mbaqanga (Review)

Township Sounds From The Golden Age Of Mbaqanga

NEXT STOP... SOWETO



With Next Stop... Soweto, Strut trace some of the amazing music that often only appeared on short run 45s at the time; rare lost gems deftly culled from the '60s + '70s South African "township jive sound." Featuring music recorded primarily for the local market, the album takes the listener far beyond the accepted township jive template into fusions with jazz, gospel, rumba, funk and traditional mining songs. It delves into the golden age of mbaqanga. Jazz had been a fixture in South African music since the ‘50s and jive (or mbaqanga) initially emerged a decade later as a fusion combining elements of rural Zulu music and harmony vocal styles with Western instrumentation. You can hear influences from American R&B and '60s rock and surf, in the same way ska and rocksteady developed in Jamaica. And if you like desert blues from Sahara, you will also like the fusion of mbaqanga.

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