TAG: Sounds

Dec26

!!! it’s new !!!

!!!
Myth Takes
4.5 stars

Their punctuation can beat up your punctuation

(Warp) A recent appearance by !!! guitarist Mario Andreoni onstage at a Los Angeles performance by B’more phenom Spank Rock reminded one of where the most difficult band in Googling history stands in the narrative of contemporary dance music. Part of a triumvirate with The Rapture and LCD Soundsystem, they taught the rock kids to dance (to raggity guitars, stomping techno via MSTRKRFT or even inner-city bass music via the aforementioned Baltimore Bass Connection). On their third full-length, not even counting the landmark Me and Giuliani Down by the School Yard EP, the Bay-originating eight-piece has stripped away the easy narrative of vulgar political discontent found on 2004’s Louden Up Now, and gotten down to the more important work of constructing airtight grooves with just …

Share/Bookmark
Dec21

Bizarre Love Triangle: Diplo, JT and LCD

Warning:

if you've not heard the original “Someone Great” (my fave cut on the incredible new LCD Soundsystem album), Diplo's mash-up with ole JT might just ruin it forever.

Share/Bookmark
Dec11

Sunn O))) – BP/Simple (Review)

Tags: , , ,

Sunn O)))

BP/Simple

Released by Staubgold


The raptors are coming! The raptors are coming! Okay maybe not, but this compilation cut (available as a single download on eMusic or as part of the whole package on iTunes) sounds like it's crawling with chittering, chattering creatures--the kind that'd probably strike the second you look away. Well, nothing awful happens after 10 minutes of ambient teasing, but 'BP/Simple' does manage to make you feel as uncomfortable as Sunn O)))'s usual black metal route with disembodied monk chanting in the right channel and dreadful drones in the left.
Share/Bookmark
Oct09

Arthur Russell – Springfield (DFA Remix) (Review)

Tags: , , , , , ,

Arthur Russell

Springfield (DFA Remix)

Released by Audika


Talk about a dream disco pairing of yesterday and the ultra-modern today. 'Springfield' is one of the last songs the sorely underappreciated Arthur Russell wrote during his brief career. (He died of AIDS complications in 1992.) As with many of his visionary singles, it still sounds years ahead of most dance music, made even more so by the tasteful disco, new wave and electro undertones the DFA piles on like pastrami in a New York deli.
Share/Bookmark