TAG: Sole

Jun30

Ceschi – The One Man Band Broke Up (Review)

Ceschi

The One Man Band Broke Up

Released by Fake Four Inc.


Fake Four founder Ceschi Ramos has returned to the fold with his first solo effort in four years by way of the gloomy, conceptual The One Man Band Broke Up. Not only does Ceschi seamlessly fuse hip hop, folk and psychedelia on the new record, he does it with panache. In an industry flooded with artists deluded into seeing themselves as jacks-of-all-trades, Ceschi is the real deal. He can transition from a straight folk ballad ("Lament For Captain Julius") to rapid-fire, tongue-twisting flows on the next track without missing a beat. The One Man Band Broke Up tells the story of a well-traveled musician at odds with the industry and himself. Ceschi speaks through the character of Julius & the Bearded Saviour as he weaves narratives about the perils of the road, failure and self-destruction. "Bad Jokes" is a gut-wrenching anthem of defeat set to an exquisite composition by Germany's DJ Scientist, who produced the entire album. While it is a concept record and thus prone to recurring themes, it bears mentioning that The One Man Band Broke Up is engulfed by suicide and death. And there is little offered to remedy the fatalistic polemics as Ceschi declares "When they reminisce over you and speak as if your life is through, it just might be true." Even the album-closing "Julius' Final Song," with its warm and uber-infectious chorus, speaks of the musician meeting his end in a hotel room.

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Feb21

Factor – 13 Stories (Review)

Factor

13 Stories

Released by Side Road Records


Collaborations with Myka9 and Awol One may have opened doors for Factor, but he remains true to his humble roots producing for oddball regional rappers around Saskatoon, Canada. He hooks up with some of these old friends on 13 Stories, his 13-track compilation comprised of emcees telling their own stories in their own styles, and held together by his smooth production. The melancholic and mellow soul that makes up the last two-thirds of the album is dominated by tracks like Nolto's tale of a tormented child evolving into a tormenting killer on the slightly uptempo “Pulling the Wings Off Angels” or the alternative stress relief of Def3's “Luck Ducks.” The front half of the album holds the hard funky grooves, like opening track “Sounds Good to Me (Hip Hop),” an organ-heavy roller-rink anthem to hip hop that features Ellay Khule, Medusa (haven't heard enough from her recently!) and Joe Dub, who absolutely kills it with his hip hop history lesson.

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