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Everyone knows that music festivals are big business, with tens of millions made (ticket sales, beer vending, corporate sponsorship) and lost (artist fees, production costs) every summer. But what happens when big business decides to throw it’s own festival? You get Virgin Free Fest. Run as a multi-city paid festival in 2006 and 2007, the mobile phone company’s attempt at playing with big dogs like Coachella, Lollapalooza and Bonarroo never seemed to hit it’s stride—perhaps due to it’s location in Maryland. Then last year, super rich bad-ass mofo Richard Branson decided to make the whole shebang free, and called upon Blink-182, Weezer and Jet to bring in the masses. This year, he’s banking on a cooler selection, including Thievery Corporation, M.I.A., LCD Soundsystem and Temper Trap to do the same. …MORE
| Apr | 01 |
Documentaries that involve electronic music are usually hit or miss; either the film misses the point of the original usage of the music or it goes on a different direction altogether. However, with Speaking In Code, there’s depth in each dimension of the film; from the characters of the artists featured, their bosses, their families, and the world around them. The filmmakers themselves also become centralized figures in the film, as a natural plot progresses that struggles passionately between the journey of pure techno love and love amongst themselves. A film worth watching more than once, Speaking In Code is nothing short of an extraordinary documentation of fandom, freedom and everything in between. URB had a chance to speak to the director, Amy Grill about the starting point, her exposure to techno and the bits that happened in between.
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| Dec | 22 |
Anyone who comes to URB should know, we cover an extensive amount of music from every genre and subgenre. Things aren’t always easily to compile in lists, especially putting together “top ten” lists. Now try doing that with the generalization of a genre called “electronic music.” Some people still don’t know what the difference between techno and house is, and of course we’re here to provide the difference. But, we’re also here to show our appreciation to the tracks that have made us move, groove, bop, boom, and, most importantly, enjoy every second from the first beat to the last. It wasn’t easy, but it sure as hell was a journey. Welcome to my top ten electronic tracks of the year. Take a seat and crank the speakers to eleven: it’s a doozy of a read.
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