2009 surprise hit makers Miike Snow are back with their first new recording in two years. “Devil’s Work” has all of the elements that made the group’s debut a sleeper smash—cinematic sweep, heartfelt vocals that are never overwrought, and hook after hook after hook.
Now I know that I’ve already given my loyal readers (reader….hi mom!) a dose of my predictions for 2011’s musical creme de la creme, but there is a specific genre’s future that I hold near and dear to my heart: Dance! The kind of euro-pop, vocal-heavy club music that was my guiltiest pleasure in high school, to be specific. But times have changed since my freshman gym class, and recently dance music has quickly fist-pumped its way into the mainstream: The MTV audience has grown extremely fond of DJ-Producers like Tiesto, David Guetta, Deadmau5, and even the most heavyweight of pop stars (Usher, …
While Miike Snow should be familiar to you, URB reader, I was very surprised to see that it was also familiar to the rest of the hipster-mainstream hybrid subculture—that is, the sometimes-overbearing Hollywood scene. Going to this show, I expected to be greeted with a different kind of crowd (not sure exactly which) but I was greeted with people ready for the club (there were also some on the margins ready for the rave as well). While this by no means had an effect on Miike Snow’s performance, it’s an interesting point of note as it describes the atmosphere of the venue, pointing out the secondary effects of the experience of live music in a shared environment with a particular slice of the Southern California population. It also works well as a provocative introduction.
While I did not pay very much …



























Leave A Comment!