TAG: live review

May03

Live Review: The Glitch Mob @ Double Door (05.01.10)

There was no messing around for LA grind hop impresarios The Glitch Mob as they kicked off a headlining tour Saturday night in Chicago. The three man electronic destruction crew said it was the first time they’d really played their way through their upcoming debut album Drink the Sea in front of a crowd, but with coordinated outfits, crafty video projections and matching stations featuring drums, synths and touchscreen JazzMutant Lemurs for each band member there was nothing tenuous or uncertain in the way they coaxed enough electronic noise and bass to suck every bit of air from a sweaty, sold out Double Door, leaving the packed crowd no choice but to dance or bounce along.

In their recorded versions, the tracks on the band’s first album show bits of restraint, but live it was more about the energy of heavy …

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Apr01

Jay Electronica Live at Luxe Lounge (Review)

Last week, Jay Electronica performed just three songs for his co-headlining performance at Philly’s Luxe Lounge.

It was easily one of the best hip hop shows I’d ever been to.

Let’s get it straight, I’m not judging with a personal bias. It’s easy to rock a crowd when you have an extensive catalogue of respected classics. At that point, the performance itself doesn’t even matter — the legacy of the music begins to dwarf the performer. It’s too early to call anything that Jay Elect has recorded a “classic.” Although it does seem like we are witnessing the embryonic years of a future Hall of Famer. It’s kind of like how I imagine watching Michael Jordan’s rookie season must have been. The vast pool of talent and the raw passion for the craft is impossible to overlook.

I was standing no more than …

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Mar26

Devendra Banhart @ Belly Up (Live Review)

3/25/10

Solana Beach, CA

At one point early in the night, Devendra Banhart announced that he and the Grogs would only be playing Carlos Santana collaborations with Rob Thomas in acapella-spoken word form. While that would have been an entertaining feat in itself, Banhart and company thankfully opted to melt faces for the better part of two hours.

Call it freak folk. Call it experimental. Call it psychedelic ball-trippery. Whatever your preferred nomenclature, Devendra Banhart has created something truly his own. The epic, extended canvas of “Seahorse” showed him at his freewheeling finest. With so many peaks and valleys over the course of just one track, it is impossible to pigeonhole Banhart. What Will We Be tracks figured prominently in the set list. “Angelika” and “Foolin” took on lives of their own through Banhart and the Grogs’ improvisation. The laid back “Baby,” which easily boasts one of the five best music videos ever set inside of an intergalactic asshole, was an early favorite as the crowd filed in.

The acoustic version of “Little Yellow Spider” was a welcome addition as was his beautiful crooning on “A Sight To Behold.” The band’s infectious energy snowballed through the set and just when it reached its apex, the humble Banhart asked the crowd if any of them had recently written a song which they had never performed in front of an audience. The first hand in the air meeting the criteria was invited on stage for an impromptu performance on Devendra’s electric guitar. The audience member, who hails from Kera and the Lesbians, picked up the ball of energy and ran with it to the delight of the sold out crowd. This was a special moment that one rarely gets to see at a live show. Kudos to Devendra for the generosity and genuine desire to promote up and coming musicians. …MORE

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Feb22

P.O.S. @ The Loft (Live Review)

02/20/10

Three of indie rap’s finest rolled into town on Saturday night and left a trail of nodding heads and rhythmically-challenged, drunk collegians in their wake. P.O.S., Grieves and Dessa all delivered stellar performances as they neared the halfway point of the Every Never Is Now Tour, aptly named for the title track refrain and central theme of P.O.S.’s last album, Never Better.

Doomtree’s Dessa started things off with an outstanding set featuring several tracks from A Badly Broken Code and fan favorites such as “Mineshaft” and “Veteran.” She is an artist who captures the sound of her records flawlessly through live performance while leaving room for subtle improvisation. The versatile singer-rapper-poet-teacher transitions from battle raps to beautifully-sung ballads and makes it seem natural. A unique cover of Leonard Cohen’s “Hallelujah” punctuated her all-too-brief set to raucous applause. …MORE

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Feb05

Live Review: Wale @ The Roxy in LA (02.02.10)

- As experienced by Norman Mayers

Washington, D.C. based rapper Wale has been receiving his due as of late after toiling in the underground for the last decade. He finally reached the big time in 2008 with the release of his major label debut Attention Deficit, which is packed with such notable guest stars as Pharrell, Lady Gaga, Melanie Fiona, Jazmine Sullivan, and Marsha Ambrosius. Yet no guest stars were needed for Wale to sell out the famous Roxy on LA’s Sunset Strip. Apparently Wale has reached his moment. …MORE

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