The dancefloor is an ever-changing world that twists and turns night by night. With so many different rhythms taking over parts of the world, it’s becoming increasingly challenging for DJs to put things together fluidly in sets. Enter producer and DJ Martyn. Born in the Netherlands and based in Washington, D.C., he spins a clever of mix of everything from classic New York house and Detroit techno into “post-dubstep” and funky tunes. Melding his own “Martyn music” with the current sounds of mutated dubstep, extraterrestrial funky house and tribal drums, Martyn makes sure his tunes are just as immersive as his DJ sets. When he was approached to do Fabric 50, he took the idea of shifting the mix into his own mind and putting out the sounds he loves. Needless to say, Martyn is a fantastic DJ and producer, and makes sure whoever is listening will hear a history of music–not just the now. He took some time to speak with URB about his current musical endeavors, his love for classic tunes and how he’s never been to Detroit–until DEMF 2010, of course.
| Mar | 11 |
| Feb | 10 |
The announcement of Unsound Festival NY came very suddenly, and just as sudden was the wave of momentum provided by artists, promoters and media sponsors (like ourselves) alike. From the Upper West Side, to the West Village and throughout the bastion of “hip” that is Williamsburg, Brooklyn, Unsound NY is making its mark as a premier electronic festival in New York City. The opening weekend was a surefire to start to a week that’s still in full-on electronic mayhem mode; from breathtaking visuals to Warhol films to the debut of one of the most acclaimed techno groups in recent history, the beginning of Unsound Festival NY has cemented its status as one of the most important cultural festivities in New York City, besides that CMJ thing.



























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