While the “critics” have been “lauding” the “visionary” effort by Kanye West in his directorial debut film that serves as an accompaniment to his upcoming new record, Runaway, the film, when treated as either a short or an extended music video—leaves much to be desired. Being a decidedly arthouse film, Kanye West takes poetic license and shows us some of the twisted images coming from the mind of a self-named genius, a creative polymath capable of combining disparate elements like those exemplified by the cunning of a Picasso, the deconstruction of a Derrida, the creativity of a Warhol, or the glam avant-garde of David Bowie. Kanye is, at the moment, none of these (my apologies).
His music video/film hybrid reads like an incoherent montage of sequences with only the most basic of connections being made, through what seems to …
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