Tyler the Creator, frontman of L.A. hip-hop convoy OFWGKTA (Odd Future Wolf Gang Kill Them All), won’t admit to it but I’m sure he understands his audience to be predominantly white, suburban, indie-teens-in-training. Let’s try to keep that in mind here, now that there seems to be a somewhat recognizable consensus on Tyler the Creator’s second full-length album and first major label release, Goblin on XL Records. From where I’m standing it seems like folks are a bit dissatisfied. Granted there hasn’t been too many local hip-hop acts with this kind of trajectory since the astronomical rise of Lupe Fiasco, the quizzical introduction of Wiz Khalifa and others, this record leaves a lot to be desired. The album is choppy, draining, and quite lengthy. Some of the standout tracks (“Yonkers” and “Sandwitches”) on the record feel somewhat superfluous since they’ve …
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