One of the greatest things about hip-hop (and really all contemporary music for that matter) is the fact that so many artists intentionally blur the lines between genres, borrowing from the wide range of sources available to them while refusing to be boxed in by a certain tag. Therefore it is with hesitance that I announce that Dosh’s newest record, Tommy, is a wild adventure in left field hip-hop, because it really isn’t hip-hop at all.