Even before the beats on 1996's Walking Wounded made Everything But the Girl electro-pop royalty overnight, I was often a wee distracted by some forced lyricism. The insistence on the standard verse/chorus form with the A/B scheme sometimes made lofty sentiments feel overwrought. The remix resolves this issue. Suddenly, forced rhymes flow smoothly in abstract dubs. In her solo work, lead singer and songwriter Tracey Thorn has benefited immensely from her collaborations with some of the best remixers in the game. In their hands and freeform beats, Thorn's  singular, ...