If music blog fanboys served as any indication of the real worlds taste in music, Burial would be bigger than Beyoncé. But since that isnt the case, it’ll take some time before people wake up to Untrue, the conceptual refinement of last years acclaimed self-titled album that introduced the media-silent artist to listeners beyond those immersed in UKs dubstep underground.

Sounding like the excavated ruins of two-step, Burial’s all too appropriate name plays off the final procession of British electronic music. Sidestepping the age old preoccupation with the future, tracks like “Ghost Hardware” are propelled by an underlying noise and slack that defies pinpointing the creation date (not that the production relies on textural smoke and mirrors). Burial has the same innate knack for long-brewing melody that helped wedge groups like Boards of Canada and Tricky into mainstream consciousness. On the …