Being a huge fan of the original TRON (1982), I grew skeptical when Disney announced they would be revisiting the world of TRON in an updated sequel reboot simply because I found the original film near perfect (plus, no one wants a formative filmic experience from childhood messed with). With an orchestral score by the legendary musician Wendy Carlos, the original film resonated with my budding technophilia at a critical moment in my childhood (I was about 7 years old when I first saw the film). The music became a critical part of what made the film particularly memorable, being intrinsically connected to the visual design of the movie. Disney, I thought, had crafted a beautiful and memorable picture, a beautiful example of the possibilities of the marriage between storytelling and technology.  1982’s TRON was a piece of art, a …