The Hyperdub brand is synonymous with all things intriguing; since the mid-2000s, the label has put out some of the most evocative, melancholic and perhaps the most important records relevant to dubstep history and beyond. Throughout that catalog, there are only a few full-length albums, two of which are courtesy of label owner Steve Goodman, a.k.a. Kode9, and frequent collaborator The Spaceape. Black Sun, the twosome’s newest record, is an enchanting, ecliptic ride that journeys between light and dark in a multi-purpose format, supplied by eerily soothing vocals by new collaborator Cha Cha. Kode9 chats with URB about the journey he took into making this new album, its differences from its predecessor, and of course, Hyperdub itself.
| Apr | 25 |
| Jul | 23 |
All of you on the internets know that URB loves Hyperdub big-time. So when beloved and relatively underground funky production duo Ill Blu got signed to the label, it was an exciting thing to hear about. Then hearing their debut 12″ for the label (Bellion/Dragon Pop, OUT NOW) was just colossal in terms of greatness and dancefloor variety. The duo of Def1 and Jreel talk to URB for a bit about their world cup sound preferences, their introductions into making tunes and how they got signed to Hyperdub. Also coming with this is an exclusive 20 minute mix they did for Mathieu Schreyer’s show on KCRW (big-ups to them). Mix and Q/A after the jump.
Kode9
DJ-Kicks
| Feb | 24 |
Whilst February brings the shortest month, along with my personal annual growth and much merriment for me, it also breaks the omnipresent lull in the release schedule over Christmas and New Year’s. This coming year appears to be no exception with the simply astounding selection of full length projects and announcements starting to form like Dr Manhattan did, out of human tissue, thin air and matter.
As I’ve previously mentioned in earlier installments of this column, both Starkey and Scuba have long players ready for consumption, competently and simultaneously representing both ends of the dubstep spectrum. Scuba’s Triangulation positively floats in places, combating skeletal 85bpm tempos as much as the house tempo; whilst Starkey’s Ear Drums & Black Holes connects the dots between Philly swagger, his own deft compositional ear, and UK grime music featuring vocal appearances from P Money, Cerebral Vortex …



























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