Okapi’s latest album, Love Him, is quirky, whimsical and brings a fresh ear and direction to experimental music. While other “artists” like Pitbull are using played out samples from number one hits over the last 10 years, Okapi is reinventing the use of the sample. He picks up where Pizzicato Five left off in the '90s with the shibuya-kei movement by creating a truly “New Stereophonic Sound Spectacular."
At first listen, Shaw is easy to dismiss, especially if you listen to the album through a low quality stereo system or bad pair of headphones. The beauty of this one man, electronic project from San Francisco, California is in his painstaking attention to detail. The opening track and album title, “pretending we’re not animals” strikes a shocking resemblance to the postal services’ “recycled air” with moodier glitchy beats hidden underneath many layers of ambient synth pads. It’s apparent that Shaw spends a great deal of time automating his ...
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