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Sole, formerly of anticon. fame (Plastique is out on Fake Four Records), has always fit perfectly into the box that mainstream hip-hop fans would prefer to call “alternative.” His lyrics are yelled as much as they’re rapped; his content, which is political more often than not, is generally so dense that most of his work requires multiple in-headphone listens to even understand the topic (let alone his message); and the production, well, let’s just say it doesn’t exactly bang.
All of which apply now more than ever. Backed by the ...

























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