Earlier this week, we posted an open letter from DJ Shadow that effectively told off all downloaders. Obviously, this cause quite a stir for fans and foes of the “37-YEAR OLD TECHNOPHOBE.” You can spend several hours contemplating the eight pages of comments on DJShadow.com, or check out this one summary sent via a mass e-mail from Ghostly International artists Adrian Michna:
maybe some of you have seen this, maybe some have not. but i love it.
dj shadow shows that in 2010 he is the bitter old man yelling “get off my lawn”:
https://www.djshadow.com/news/shadows-starting-new-year-bang-check-out-his-latest-journal-entry-here
then he proceeds to get schooled by his fans in his own comments section. everything from “dj hero didn’t do so well?” to “you need a new agent” to “look at the success of someone like a-trak”
i’ve read all the fan comments so you don’t have to.
below is the best one, (it is pretty in line with how i feel):
Dear Josh,
A friend reminded me of your line from Scratch where you speak upon all these artists that you were diggin for and that none of those artists have careers and so forth. While nostalgic and reminiscent, I can not bear to deny the resemblence and direction you seem to be going. You have alienated a gigantic fan base. Me included. I was beyond an avid fan. You are unaccepting of a paradigm shift that you have absolutely no power over and think that there is a problem. Days of making a 12″ of uncleared samples of other people’s blood, sweat and tears are long gone. The game has changed. I just don’t understand how a working and very successful musician and businessman such as yourself can seem so jaded and unthoughtful and so fusking insolent.You seem to be talking out of both sides of your mouth. You believe music sucks right now? Why? Pay attention. There is some of the most interesting, introspective and enlightening music coming out. Yes, it’s true it isn’t Isaac Hayes or David Axelrod, but open your eyes, ears and mind. I am sorry there is not a “new” Jay-Z or Biggie. There are plenty of people occupying worthwhile spaces on the racks and websites that deserve it. Brother Ali, who bridges the gaps between Chuck D, Freeway and Atmosphere. MGMT who capture psychedelic and tongue in cheek lyrics. M83. Blu. These New Puritans. La Roux. Blakroc. The Dead Weathers. Diplo. Flying Lotus. Glitch Mob.I could name a continuous list of great and new artists. I am not saying all these people are the next DJ Shadow or James Brown or Q-Tip, but these are viable new(er) artists that are challenging and changing music. Puting their soul into music to move you, me and everybody in between. They inspire me the way that Entroducing did.
It’s funny, I am seeing some awesome similarities between your attitude with the attitude of the sampled artists of the 90s. Some of them weren’t accepting of the music and considered it blasphemous for producers of the 90’s to reuse. Some even called it worse, they called it theft. Some of them were very cool and open. I remember meeting Monty Stark and was so inspired and open and appreciative of new music. But you did try and make music that was different nonetheless. Challenging how music is made.
It’s situations like this that you wish an artist didn’t write or talk and THEY JUST MADE MUSIC. Please. Make music that moves me.Sample, don’t sample. I don’t care. Challenge me. Surprise me. Do what you love and it will shine through. If a major label won’t release it with samples, do you need them? You are still a force to be wreckoned with. You are blessed and have more opportunity than I can fully quantify. I feel as if I have made some challenging and beautiful music comparable to what any other successful artist has put out but have not made the jump into a greater realm. I wish I had 10% of the opportunity that you had, I would be a rich, humble and satiated man. I continue to invest time, effort and money into what I love. You have a base of knowledge and resources far greater than I can imagine. Yes, there are some amazing artists out there who let their music go for free. Watch and learn from the likes of Trent Reznor. He has worked the game to a T and still makes amazing music. They are lucky enough to have fans who are willing to support them come rain sleet or recession. You have done well. You don’t have to be one of those artists, but if you don’t want to do so, you may not want to keep yabbering about it. Your use of YOUR site to voice YOUR opinions is precisely what makes the internet amazing. Don’t complain. DO SOMETHING ABOUT IT. Be smarter. Be quicker. Be creative. Or don’t and go away ungraceful and reminiscent of James Brown in the 80’s. Others don’t have the voice you have. In this case, chances are, I wish they did. They would probably say someting most of us can use. Inspiration.
Don’t come off as disgruntled and the old guy on the block yelling get off my lawn.
I am reminded of one of Rev Run’s recent Daily Words of Wisdom that he sends out everyday: “Everyone is old who stops learning, whether your(sic) 20 or 80!”. Think about it and understand it, the clock on the wall reads a quarter past midnight…
Signed,
A fan…
Our friends at The Daily Swarm in the meantime have noticed a trend in more artists demanding payment for their work, including RZA and Amanda Palmer.


























alright alright,
Here we go, its my turn to write on this here bathroom wall, only because I want to clarify that my “mass email” was never intended for a public blog post.
I originally sent the above email to 43 friends, most of whom are fortunate enough to be making a living doing music. A day later said email was copy and pasted and posted on this here blog, possibly reaching 2,750,000+ readers all over the world. (You like those numbers I just made up, Urb?)
So with that in mind I just wanted to say a few points.
I remember the day I went out and bought Endtroducing on wax. I didn’t have enough money for doubles so I made all of my friends buy copies for themselves, and so I could borrow their copy and rock doubles of Organ Donor. Within a few months the band I was in dissolved, because who needed players when all we needed/wanted was an MPC?
Fast forward to June 2002 and I’m at Virgin Megastore buying one CD. The Private Press. I even brought my CD Walkman so I could immediately headphone it.
Upon first listen I was impressed, and after the 20th listen I couldn’t help but think how much of a great step up from Endtroducing this was. The production was excellent, and Shadow had effectively invested a budget into the album in all the right places. Mixing it with Jim Abbiss on a meaty board, and getting the album mastered by legendary Tim Young at Metropolis in London. And then figuring out a whole way to present it live with a new stage show and synced visuals. That’s no easy feat.
So, given that you and I have all grown up seeing Shadow one-up himself, it was to my surprise to read a slightly bitter and out of touch journal post by him. You wouldn’t expect in 2010 for Trent Reznor to be on his A-Game and Shadow to be a G.I. Joe PSA. I also was surprised that (in that post specifically) he seemed unaware of the fortunate position he is in. There are millions of aspiring producers out there who’d love to do music full time, many of them posted positive words in his comments section. He’s already got a record deal, already toured the world, already got a fanbase -now he just needs to keep making music, stay creative, and put on some great shows…
Signed,
-Michna
this shit is MISLEADING. 2 of michna’s quotes come from the same post and 95% of the comments posted on shadow’s blog were highly supportive. dude is a legend, he needs people behind him (as do you), not against him. c’mon michna..
Hmm. not sure on this on Shadow. Hope the next release is worth buying. Cuz the last wasnt ever worth downloading.
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proben- way to reference the 1996 shadow cover. Love it!